Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts
4.17.2012
A Review: The Flight of Gemma Hardy by Margot Livesey
Before I borrowed this title from the library, I'll admit I was drawn into a storyline set in Scotland. A cover description, that, in a hurried examination, seemed slightly similar to the story of Charlotte Bronte's Jane Eyre. Slightly is not even the word.
Yes, those things kind of got me. And so I read.
Gemma Hardy, daughter of an Icelandic fisherman and a Scottish mother, is left in the care of her doting uncle and witch-of-an-aunt, after accidents claim the lives of both her parents. When Gemma's uncle drowns by falling through a crack in the ice one winter, her poor life is turned upside down. Forced to relocate to a boarding school, hired on as a working girl to earn her keep, Gemma quickly learns to perform her chores quickly and quietly, without an attachment in the world. Years later, Gemma finds an au pair position on a small estate and farm in the Orkneys. Affections are explored with a Mr. Sinclair, family mysteries unveiled, urging Gemma to flee without a penny. One hindrance after another leaves Gemma broken and desperate for work, unable to locate a single soul of charitable reputation, the author unearths questions of what it is to be good and Christian in the world. The audience travels distant shores, meets many interesting characters and roots for Gemma until the end.
When I initially finished the novel, I was pleased. It was a simple and entertaining read. I had loved Jane Eyre, and felt that the author managed to retell the story in a manner that was fitting and tasteful. Gemma is a likeable character, with a good (for the most part) head on her shoulders, determined to do things for herself (her largest goal being a pupil at university). Unlike Jane, Gemma is much more independent, and rightly so, as Livesey's sets her story up throughout the late 50s and early 1960s. The author manages to capture a changing landscape. We hear stories of families recovering after substantial losses in two world wars, women going to work outside of the home and brief encounters with topics like lesbianism and sex that would have had lady Jane blushing something crimson - if not falling over completely. I really enjoyed the novel because of this spin on the adaptation. Even after she falls for Mr. Sinclair, a man 20 years her senior, she manages to break free and seek the answers she's always wanted, those of her family and origins and what her life might have offered if things had worked out differently. Even in the end, we see Gemma pursuing the plans she's mapped out for herself despite the turn of events.
While the characters were well drawn out and captivating, there was no one, in particular, that I was drawn to as much as Gemma. The landscapes of the two countries seemed to offer boundless possibilities on behalf of the writer, but was lacking, in my opinion. While there were a few moments of beautiful description, this language was generally saved for details of the avian life that thrived around her (Gemma is fascinated by winged creatures). I wanted the story to come alive a little more than it did. Furthermore, just like Jane's adoration for Rochester always dumbfounded me, I'll admit that Gemma and Mr. Sinclair didn't do it for me either. I'm hard to please.
To be fair, I did enjoy it and highly recommend it to any fan of the famous Jane Eyre. I'll also note that this is an exact retelling of Jane's story, but think mostly modern.. 60s modern, that is. This, for me, was a bit of a let down as I expected it to be a little more loosely based, but can't deny that I really did enjoy it.
9.08.2010
Still a Bestseller: Kathryn Stockett's The Help and Why You Should Read It If You Haven't.
I mean, I loved it.
I had heard the hype, saw it displayed at every bookstore and realized all my friends had already read it; it was only a matter of time before I did, too. To be honest, I had no idea what the title The Help
I'm not here to break down the story line, but to provide a brief overview and then discuss, in the hopes that you've read it, or that this post will encourage you to do so.
The Help
The novel speaks volumes. Stockett closely examines the lives of each of the women presented. The story avoids being convoluted, despite the numerous grave issues the novel exhibits; issues, such as racism in the South, women's submission and violation of male counterparts, and the female status in society during this time period.
The novel deals with, most obviously, the intense racism that was prevalent in this area, at this time period. Public spaces were segregated and never-ending sources of conflict. Several of the maids are forever changed by violence acted out by white men in their town. Louvenia, an elderly maid, must work and care for her grandson when he is beaten to the point that he permanently looses his vision for accidentally using a white restroom. A leading member of the Civil Rights Movement is gunned down in front of his children for participation in the cause. Stockett examines, through women's stories, the sheer cruelty of mankind in a past not so far off. The grief is apparent in the dialogue and sends a resounding message of absurdities held as truth.
I admired the way in which Stockett used dialogue and character development to provide unique and honest insight of the individuals presented. The normalcy of the ideas present, instilled in the characters seems sharply out of place in today's world, and adds a sense of credibility to the story line. For instance, Minny, a member of the help, looks at a new employer as, "white trash," because Mrs. Foote doesn't know what's proper in society and eats lunch at the same table as herself. Minny has a developed system of the way in which she works with the woman whom house she tends. The details of the way Minny has conceptualized the employer's role, is an emphasis on the ways in which such absurdities are expected and normalized within a society. Furthermore, Skeeter has always loved her help, Constantine, quite possibly more so than her own mother, but has never questioned the quality of the black grocery, compared to her own. Or the fact that Constantine can't watch after her own children, believing that it's a preference, and not a choice.
Furthermore, Stockett provides insight into the role of the female during this time. Minny, a strong-willed and intelligent character, returns home each night to face assaults from her husband. Minny bears abuse from her employers and her significant other. The reader witnesses the abuse Minny receives from both her white employers, and her husband, when either is frustrated with their own problems. Minny is the epitome of an independent woman, in the end, coaching her children to stand up for themselves, and to her employers along the way. You'll know what I'm talking about if you've read the novel! On the other hand, the reader witnesses the lives of characters like Miss Anne LeefoltLeefolt are in charge of the maintenance around the home and are certainly expected to procreate. Many of the white female characters simply sit around their homes all day, attending luncheons to maintain appearances, while their husbands maintain careers. When Skeeter looks for jobs in a local paper she notes after finding only a few positions for females, "My eyes drift down to HELP WANTED: MALE. There are at least four columns filled with bank managers, accountants, loan officers, cotton collate operators. On this side of the page, Percy & Gray, LP, is offering Jr. Stenographers fifty cents more an hour."
Much of this may seem obvious. And it is. But Stockett emphasizes a time unlike anything I've ever known. Rules and laws of a society that seem so unimaginable, so unthinkable that I am overwhelmed with sadness. The novel, while entertaining and heartfelt, is so historically political, that it's hard not finding yourself analyzing the wrongs of ideals in the past, and here, in the present. The novel is thought-provoking and skillfully presented. I highly recommend The Help
Labels:
1960s,
Books.,
Civil Rights,
Dialogue,
Kathryn Stockett,
Readers,
South,
The Help,
Women
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