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Showing posts with label Margaret Atwood. Show all posts
Showing posts with label Margaret Atwood. Show all posts

5.30.2012

Read Along Wrap-Up: Margaret Atwood's Alias Grace


"There are always those that will supply you with speeches of their own, and put them right into your mouth for you too."

Let me start by saying that I'm so glad I participated in this read along. For the first time, in a long time, I was challenged by a work to a degree that was both refreshing and frustrating. I feel that the entire experience has made it almost impossible for me to offer any valuable insight. I'll admit that I chose to read this title during the busiest part of my year to date. I traveled to Washington DC to see a friend graduate, I attended a wedding, a couple of birthday parties AND opened an Etsy shop. Needless to say, it's been a challenge just making the time to sit down and read. It took me an entire month to polish off ONE title, so that certainly helps to make my case.  

Aside from the time, Atwood's work requires serious attention to detail, because there are no words or sentences or paragraphs placed anywhere unintentionally. A re-read would probably be beneficial as I feel there's so much I missed. 

NOTE: spoilers ahead! 

Short recap: Grace Marks has been charged with the murder of her employer and his mistress. Years later, she spends her days tidying the home of a governor and his wife, as part of a penitentiary work program, and her nights, locked in a cell with no windows. When a young doctor (Simon), desiring to uncover the mysteries of mental health, and confirm her guilt or innocence, arrives to interview Grace, we see the story of her life up until the horrid event.  

Dr. Simon is sent to determine Grace's innocence, so that she may finally be released to return to a normal life. NOTE: Let's focus on Truth v. Fiction. However, as Grace slowly tells her story, it's clear that there is so much more than the words leaving her mouth. The doubt, on behalf of the reader, builds as the pace of her story is slow enough to force much deliberation. The audience feels the frustration that Dr. Simon, himself, feels, sitting in the small sewing room with the famed murderess. Furthermore, between Grace's narrative, the audience is also witnessing Dr. Simon's life outside of his case, as well as Grace's own thoughts. We understand that she tells stories that she believes Dr. Simon will enjoy, but how much is fabricated? All the while, Grace never actually ponders her guilt or innocence, only the acceptance of the lot she's assumed. 

There are many dream sequences that are questionable. Was Grace actually in the grip of a walking sleep, or was it all a lucid dream when she finds herself out of doors, in the middle of the night, in nothing but her sleeping gown? 

Many of her "confessions" are convincing. However, it seems that after hearing so many others tell her story, she is quite uncertain of some events herself. The sensationalism and gossip of the period (well, throughout time) plays a large role in the way everyone views Grace, notwithstanding evidence that may suggest otherwise. I will note that I found it rather interesting that those rooting for her release were using the argument that she was "possessed" or had multiple personalities, therefore, should not assume responsibility? A sign of the time to be sure. 

The story concludes without much resolution. The audience is still left to ponder Grace's guilt or innocence. I believe the last sentence made me lean towards the former, as she so curiously sews a little quilt with pieces of Mary and Nancy's garments so that they'll all "be together." Grace is released after 30 years of incarceration and goes on to marry one of her accusers, the boy, Jamie Walsh. Which brings up questions of sadism, but that's another post altogether. Did anyone else notice the reoccurring theme of sadism? Perhaps that was just me. 

There are words that come to mind when I think about this novel, namely: suffering, guilt, indecision, spirituality, dreams, and desires. Grace is much less the evil temptress that so many believe her to be. She expresses a love for the simple beauties of an ordinary life. However, the reader can never be certain as to what Grace Marks truly thinks.

There are whole chapters displaying Dr. Simon's life while staying in Kingston to perform his interviews. He ends up going so far that he is forced to flee and never actually learns what he's worked so hard to procure. We definitely see his desires for Grace, and for a life that he does not lead, acted upon his landlady, the pitiful, Mrs. Humphrey. However, it's clear that Dr. Simon often believes he is the smarter of the sexes and completely dismisses the fact that those relations may have plots of their own. I am certain that this side of Dr. Simon's life plays an integral role in the overarching story; however, I've yet to make it any clear connections. In the end, I warmed up to Dr. Simon as many readers pointed out that he had noble intentions and was far more progressive than many in his position during this period.  

Let's talk about the seance scene, shall we? Totally don't have anything to offer there. 
All and all, I walked away from this novel with far more questions than answers. I'm looking forward to reading other reviews to gain more insight so my head doesn't feel like mush. Once again, Margaret Atwood has blown me away and offered a huge challenge. Thanks Zeteticat for hosting! 

Note: Reading the author's notes was very fascinating. The case was so incredibly sensational, prompting news in Canada, US and Britain; however, once Grace was actually released, she managed to drop off the map completely.  


5.16.2012

Read Along Review One: Alias Grace by Margaret Atwood


When Catherine at Bookish Habits proposed a read along of Margaret Atwood's Alias Grace I jumped at the chance to join. Participants have been encouraged to provide thoughts about the novel up to this point. (Final review post is scheduled for May 30th.) The following is a (very) brief overview of the thoughts that immediately come to mind upon reflection of my reading so far.

Grace Marks has been charged with the murder of her employer and his mistress. Years later, she spends her days tidying the home of a governor and his wife, as part of a penitentiary work program, and her nights, locked in a cell with no windows. When a young doctor (Simon), desiring to uncover the mysteries of mental health, and confirm her guilt or innocence, arrives to interview Grace, we see the story of her life up until the horrid event.

Like most of Atwood's titles the subject is dark and there's no shortage of internal dialogue dealing with complex feelings. However, the historical aspect has been refreshing, as Atwood's characters generally occupy a recent past or very desolate future landscape.  It's worth noting that while most of Alias Grace may be fiction, the trial of Grace Marks was very much an actual event that Canadians during the late 19th century witnessed.

The alternate narrative between Dr. Simon and Grace is effective, as it highlights the question of authenticity that comprises the heart of the novel. The reader is forced to regard two very different perspectives in quick succession. This method of examination, I'll admit, becomes taxing at times and forces me to set it aside. However, the brilliance of Atwood's work never ceases to amaze me.

I'll admit I've struggled with the bleak subject matter and despondent language, which make the novel a little harder to pick up. While the action may be slow in coming, the landscape is vibrant and tangible in a way that other works could never touch. I'm still formulating my thoughts on the woman question in this title.. so I'll be getting back to you on that.

Verdict: Still glad I decided to participate! It's Margaret Atwood. So, really, how could I not be?  Looking forward to reading other reviews along the way! Be sure to check out Brenna's first review over at Literary Musings.

10.05.2010

Top Ten Favorite Authors



Top Ten Tuesday is a weekly meme from a favorite blog of mine: The Broke and The Bookish.  This week's question asks bloggers, and readers alike, to name their top ten favorite authors.  It's tough, but I think I can manage...

Here are mine in no particular order:

  • Nicole Krauss- A few years ago I picked up a copy of Nicole Krauss's The History of Love.  While innocently skimming the first chapter, I suddenly found that I could not put it down.  Krauss's novel expresses the joys and heartache of the human condition, breathing such depth into characters that made me laugh and cry.  I'm currently reading her latest novel, Great House, and am already overwhelmed by her brilliance.
    Anna Karenina (Oxford World's Classics)
  • Leo Tolstoy- Having once held an obsession for all things Russian, there was a period in which I read nothing but Tolstoy's works of fiction.  And if you've read Tolstoy's fiction, you know it's time consuming.  Anna Karenina may be one of his best known titles, and should be, as the superfluity of such banal repetitions of everyday life provide a realism that begs character attachment from readers.  Tolstoy also offers glimpses into the landscape of a growing and changing Russia, and the politics of the time.  It's great social commentary, to say the least.  The Death of Ivan Ilyich is another of my favorite reads. 
  • Gustave Flaubert- What can I say?  Madame Bovary was more entertaining than I ever thought it could be.  The narrator's tone in the beginning of the novel reminds me of the narration in the film Amelie.  His precise way of naming situations, without providing too many details, gets to the point, and carries an air of wit, to boot. I've yet to read his rants and raves during his travels throughout North Africa, and not sure I'll ever make that endeavor.  
  • Kurt Vonnegut, Jr.- I've read so many of his novels, and while many address recurring themes or characterizations, Vonnegut's imagination doesn't cease to amaze me.  Initially, I disliked his characters, finding them absorbed, and generally lacking a unique voice; however, after finding more of his work, I found that his stories always contained symbolism in some form that completely transformed my method of observing the world.  There's so much underlying currency in such a dream-filled abyss.  
    Oryx and Crake
  • Margaret Atwood- I had the opportunity to see Margaret Atwood speak at Emory University a few years back.  She was witty and passionate, and these attributes made me enjoy her work even more.  I had inadvertantly found myself an abandoned copy of Oryx and Crake in a closet in a house my friends and I had rented.  Initially shocked by the suggestions of the dystopic world Oryx and Crake inhabited, I knew I had to find more of Atwood's work.  I found The Handmaid's Tale to be just as shocking.  I laughed and cried and loved Cat's Eye.  I am currently working on finishing her newest title: The Year of the Flood.  I would also like to note that her poetry is especially moving.  Seriously, get a copy of anything she's ever written, you won't be disappointed!
  • Edith Wharton- Edith Wharton's imagery sparks images in my mind that no author's work could match.  Her ability to use natural landscapes to completely create the tone of a work simply amazes me. In addition, she was such a strong female presence for her time, and I respect that greatly.  
  • Voltaire- Voltaire's Candide made my sides split from laughter.  Many people just stare at me, mouths gaped open when I admit this, but it's true.  I couldn't help but laugh at the absurdities of Candide's situation.  Candide embodies a mouthpiece for Voltaire, expressing frustrations with the society that surrounded him. Candide's naivete amused me more than it should have.  Furthermore, I just happen to share a birthday with this particular man of genius! 
  • Jefferey Eugenides- I just recently finished Middlesex and loved it. I added him to the list because I felt that his other work must be just as enjoyable.  
    The Art of Travel
  • Alain de Botton- Alain de Botton's work is mostly non-fiction, but his insight and philosophical debate is refreshing and eye-opening.  I read The Art of Travel and had a much different understanding of the reasons why people travel, and the ways in which individuals conceptualize the act of travel and all that accompanies the process.  His inclusion of philosophical references, in comparison to everyday acts of life, such as travel, elucidate concepts that may be difficult to understand otherwise.  
  • John Kennedy Toole- Toole's life ended before readers came to adore his novel The Confederacy of Dunces.  This dark comedy explores some of the social aspects of living in Louisiana in the 1960s.  Furthermore, Toole's lead, Ignatius Reilly, is a character everyone loves to hate.  

There are so many other great works of literature by brilliant writers that I've wholeheartedly enjoyed, but these are the first that came to mind. What are your thoughts?  Share any favorites of mine?

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